Schmitt: La Tragédie de Salomé • Musique sur l'eau
ARTISTS: Buffalo Philharmonic Orchestra; JoAnn Falletta (conductor); Women's Choir of Buffalo; Susan Platts; Nikki Chooi
COMPOSER: Florent Schmitt
LABEL: Naxos | 8574138 (UPC: 747313413874)
GRAMMY® CATEGORIES SUBMITTED INTO:
Classical Compendium
Engineered Album, Classical
Producer of the Year, Classical
Florent Schmitt was a student of Massenet and Fauré, and winner of the coveted Prix de Rome. His impressionistic style blends influences ranging from Debussy to Wagner, with references to Stravinsky and other contemporaries. Conceived as a ballet but revised as a symphonic poem, La Tragédie de Salomé depicts Salome’s dangerous seductiveness with subtle magnificence. Narrative symbolism also applies to the evocative word painting of the exquisite Musique sur l’eau. The perilous saga of Oriane et le Prince d’Amour contrasts with the poetic tapestry of orchestral colors in Légende, in a version that replaces the original solo saxophone with violin. This is the world premiere recording of the exquisite Musique sur l’eau featuring mezzo-soprano Susan Platts, and Légende in its version for violin and orchestra, marking BPO concertmaster Nikki Chooi’s Naxos debut as soloist.
Performers
Photo Credit: Heather Bellini
JoAnn Falletta
GRAMMY® Award-winning conductor JoAnn Falletta serves as music director of the Buffalo Philharmonic Orchestra and music director laureate of the Virginia Symphony Orchestra. She has guest conducted many of the most prominent orchestras in America, Canada and throughout Europe, Asia and South America. As music director of the Buffalo Philharmonic, Falletta became the first woman to lead a major American ensemble. Credited with bringing the Philharmonic to an unprecedented level of national and international prominence, she is a leading recording artist for Naxos. She has won two individual GRAMMY® Awards, including the 2021 GRAMMY® Award for Best Choral Performance as Conductor of the Buffalo Philharmonic in the world premiere Naxos recording, Richard Danielpour’s “The Passion of Yeshua”. In 2019, she won her first individual Grammy Award as conductor of the London Symphony in the Best Classical Compendium category for Spiritualist, her fifth world premiere recording of the music of Kenneth Fuchs. Her Naxos recording of John Corigliano’s Mr. Tambourine Man: Seven Poems of Bob Dylan with the BPO received two Grammys in 2008. From 2011 to 2014 she served as principal conductor of the Ulster Orchestra, with whom she made her BBC Proms debut and recorded six highly acclaimed Naxos albums. She was the first woman and the first American to fill this post. Falletta is a member of the esteemed American Academy of Arts and Sciences, has served as a member of the National Council on the Arts, is the recipient of many of the most prestigious conducting awards and was named Performance Today’s Classical Woman of the Year 2019.
For more information, visit www.joannfalletta.com.
BUFFALO PHILHARMONIC ORCHESTRA
Founded in 1935, the GRAMMY® Award-winning Buffalo Philharmonic Orchestra (BPO) is Buffalo’s leading cultural ambassador and presents more than 120 classics, pops and youth concerts each year. Since 1940, the orchestra’s permanent home has been Kleinhans Music Hall. In 2013, the BPO made its 24th appearance at Carnegie Hall as a participant in the Spring For Music festival. In March 2018, it became the first American orchestra to perform at the Beethoven Easter Festival in Warsaw, Poland. Over the decades, the BPO has matured in stature under leading conductors, including William Steinberg, Josef Krips, Lukas Foss, Michael Tilson Thomas, Maximiano Valdés, Semyon Bychkov and Julius Rudel. During the tenure of JoAnn Falletta, the BPO has rekindled its distinguished history of radio broadcasts and recordings, including the release of around 50 albums of diverse repertoire on the Naxos and Beau Fleuve Records labels. The Philharmonic’s Naxos recording of composer John Corigliano’s Mr. Tambourine Man: Seven Poems of Bob Dylan (8.559331), featuring soprano Hila Plitmann, received GRAMMY® Awards in the Best Classical Vocal Performance and Best Classical Contemporary Composition categories.
For more information, please visit: https://bpo.org/
Susan Platts
Susan Platts brings a uniquely rich and wide-ranging voice to the concert and recital repertoire, and is particularly esteemed for her performances of Mahler’s works. She is a Rolex Mentor and Protégé Arts Initiative Fellow, which gave her the opportunity to study with Jessye Norman. Platts has performed with, among others, The Philadelphia, Cleveland and Minnesota Orchestras, Orchestre de Paris and the BBC Symphony Orchestra. She has collaborated with leading conductors including Marin Alsop, Sir Andrew Davis and Osmo Vänskä. Recent highlights include her Royal Opera House, Covent Garden debut in Mozart’s Die Zauberflöte, John Adams’ Nixon in China for the BBC Proms, and the premiere of a new work by Howard Shore with the Toronto Symphony Orchestra. Platts features on a Naxos release of the chamber version of Mahler’s Das Lied von der Erde (8.573536). She has recorded the full version of the work with the Tokyo Metropolitan Symphony Orchestra, Mahler’s Lieder eines fahrenden Gesellen with the Smithsonian Chamber Players, and the Lieder of Robert and Clara Schumann and Johannes Brahms on the ATMA Classique label.
For more information, please visit: https://www.susanplatts.com/
Nikki Chooi
Canadian violinist Nikki Chooi has established himself as an artist of rare versatility, receiving critical acclaim for recent engagements at Carnegie Hall and Kaufman Music Center in New York and Place des Arts in Montreal. He has appeared as a soloist with orchestras across the world, and has been featured at many international festivals. He has embarked on nationwide tours with Musicians from Marlboro in the US, as a soloist with the National Arts Centre Orchestra in Canada, and across New Zealand and Australia. Chooi is currently concertmaster of the Buffalo Philharmonic Orchestra and has previously served as concertmaster of the Metropolitan Opera Orchestra. He has worked with conductors such as Fabio Luisi, Leonard Slatkin and Esa-Pekka Salonen, and has appeared as guest concertmaster with the Houston, Pittsburgh and Sydney Symphony Orchestras. A passionate educator, Chooi has presented masterclasses at prestigious international institutions. A recipient of prizes at the Queen Elisabeth and International Tchaikovsky Competitions, he released his album of works by Prokofiev, Ravel and Gershwin on Atoll Records in 2013.
Press
Gramophone, February 2021
“Following on from her well-regarded recording of Schmitt’s Antoine et Cléopâtre and Le palais hanté (Naxos 11/15), JoAnn Falletta now gives us four more of the composer’s richly scored orchestral works. Falletta’s version communicates the atmosphere, luxuriousness and power of Schmitt’s score as well as any. Martinon’s performance has greater savagery and fire in the concluding ‘Danse de l’effroi’, but Falletta’s is more evocative and moving in the ‘Les enchantements sur la mer’ and the recording quality is significantly more refined.Indeed, Naxos’s engineering is slightly to be preferred even to Chandos’s recording.The solo part in Legends is performed by the Buffalo Philharmonic’s concertmaster Nikki Chooi with total conviction and assurance. Altogether a most desirable release.” – Christian Hoskins
BBC Music Magazine, 2021
“These four works, covering some 40 years of Schmitt’s long career, display his magisterial writing for orchestra, full of varied colours and equally satisfying in the quieter, more delicate moments. La tragédie de Salomé, is given the right brutal treatment here, as are the rich orchestral colours. This is a first recording of the utterly gorgeous orchestral version of the song ‘Musique sur l’eau’. Beautifully sung by Susan Platts, [La Tragédie de Salomé] is one of the highlights of this interesting disc.” – Roger Nichols
The Whole Note, March 2021
“JoAnn Falletta’s conducting career goes from strength to strength. The four works on this disc by Florent Schmitt demonstrate Falletta’s ability to attain expressive, assured results with complex scores for large orchestra. Musique sur l’eau is sung by mezzo Susan Platts with a full and seamless tone. The symphonic poem La Tragédie de Salomé opens with a wonderfully played English horn solo. In Oriane et le Prince d’Amour, Falletta and the excellent Buffalo players navigate with well-paced clarity. Finally, the violin-orchestra version of Légende,Op.66 with the well-modulated, expressive tone of Canadian violinist Nikki Chooi also comes across exceedingly well in this version.” – Roger Knox
Buffalo News, June 2021
Naxos heard "an orchestra with a big and gorgeous sound on the Berlin or Chicago spectrum, a sound suitable for all manner of late 19th century and early 20th century music dependent on sumptuousness. Anyone even mildly skeptical of Naxos' idea had to banish all doubt the minute they heard the BPO's recording of Gliere's Symphony No. 3 "Ilya Murmometz." That orchestra returns in the BPO's second disc of the music of French composer Florent Schmitt (1870-1958), in whose works you'll hear Debussy's impressionism and Wagner's apocalyptic Romanticism frolicking, with 20th century modernism just outside the door waiting to take up residence… an exciting disc."
American Record Guide, Feb 2021
“It'd be hard to imagine a better introduction to Schmitt's music than this. The performances are outstanding. Platts's singing in Salome and Chooi's playing in Legende are exemplary. Falletta's conducting is first rate, her tempos and phrasing ensuring coherence in the music. She's alert to every nuance, which these pieces have in abundance. The Buffalo Phil sounds radiant, lavishing TLC on every work. Edward Yadzinski's informative notes include a text and translation. If, like me, you can never get enough of fin-de-siecle excess, this recordings for you.” – Don O’Connor
Fanfare, Jan/Feb 2021
“JoAnn Falletta has been an unfailingly successful advocate on CD. There are quite a few versions of La tragédie de Salomé available, but none more refined and silky than this one. The Buffalo Philharmonic is a polished orchestra and has a wonderful satin feel for French music. The smooth acoustic of Kleinhans Hall and Naxos’s customary transparency do the rest. A special treat here is Oriane et le prince d’amour, a similar ballet score filled with erotic intensity. It may never have been performed before in the U.S., but its menacing opening for muted brass and convulsive sensual quality throughout should assure it a future. Similarly, the short dreamy song, Musique sur l’eau, to a Symbolist text by Albert Samain, beautifully rendered here by Susan Platts without artifice or exaggerated vibrato.”
Diapason Magazine, March 2021, Diapason d’Or Award, March 2021
“In the eyes of JoAnn Falletta, Florent Schmitt is ‘the greatest French composer you’ve never heard of.’ Let’s hope that this magnificent release changes that a little... The Buffalo forces paint with a rich palette, without ever drowning out the skillful interlacing of melodies nor the juxtaposition of timbres. This clarity of texture gives a rather fascinating depth. Whether it is for the amorous reveries entrusted to the English horn, the scintillations of the sea (harp and glockenspiel), or the thrills of the Danse des perles, the Buffalo forces deploy a rich palette, without ever overwhelming the erudite architecture or the juxtapositions of colors.”
Crescendo (France), 2020
“The soloists, choral and instrumental forces are magnificent under the impressive leadership of JoAnn Falletta.”
CDChoice.co.uk , 2020
“This new take by the Buffalo Philharmonic Orchestra under JoAnn Falletta turns out to be one of the most impressive and colourful the piece has received, and makes the disc very competitive indeed.”
AwardS & Commercial Success
Won the coveted Diapason d’Or for orchestral recordings in the March 2021 issue of Diapason magazine. ---
“Considering the large number of orchestral releases that hit the streets each month, the Diapason d-Or Award is indeed a noteworthy honor — and all the more so considering that it represents a French magazine recognizing a recording of French music made by an American conductor and an American orchestra.”
https://florentschmitt.com/2021/03/04/joann-fallettas-buffalo-philharmonic-recording-of-florent-schmitts-orchestral-music-wins-the-prestigious-diapason-dor-award/?fbclid=IwAR10dnqKWZ4_I4Qgex6WP38bLYDz8erfG7JuDbHKTo1VMMTAQk0of5EIf0AAchieved the #2 sales position for NAXOS recordings in the months following its release.
YourClassical's Julie Amacher, host of New Classical Tracks spotlighted Florent Schmitt: La Tragedie de Salome/Musique sur l’eau/Oriane et le Prince d’Amour/Légende (Naxos) and did a CD giveaway contest with the disc in July 2021
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